Alexa 35

Alexa 35

R30,000.00 p/d

Rental start date required.
Return date required.

ARRI once again raises the bar for digital cinema capture with the ALEXA 35, a Super35-format camera boasting a new 4:3 4.6K sensor that delivers 17 stops dynamic range, improved performance in low light, and richer, more accurate color reproduction with the new REVEAL colour science.

Compact and easy to operate, the ALEXA 35 offers both MFX/ARRIRAW and MFX/Apple ProRes capture to 1 or 2TB Codex drives with resolutions up to 4.6K and frame rates up to 120p.

  • Alexa 35 body
  • MVF-2 Viewfinder
  • LPL to PL Adapter
  • 3 x 2TB Codex Compact Drives & Reader
  • 19mm Production Cage System, BUD-1 Dovetail
  • 6 x 24V B-Mount Batteries
  • Mains Power Cable

Sensor Type: 

  • Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array

Sensor Maximum Number of Photosites and Size:

  • 4608 x 3164
  • 27.99 x 19.22 mm / 1.102x 0.757"
  • Ø 33.96 mm / 1.337"

Sensor Frame Rates: 

  • 0.75 - 120 fps

Photosite Pitch: 6.075 μm

Dynamic Range: 17 stops

Exposure Index: 

  • Adjustable from EI 160 - 6400 in 1/3 stops
  • Enhanced Sensitivity Mode EI 2560 - 6400

Shutter: Electronic shutter, 5.0°- 356° or 1s - 1/8000s

Recording Formats:

  • MXF/ARRIRAW
  • MXF/Apple ProRes 4444 XQ
  • MXF/Apple ProRes 4444
  • MXF/Apple ProRes 422 HQ

Recording Frame Rates:

  • ARRIRAW 4.6K 3:2 Open Gate: 35 / 75 fps
  • ARRIRAW 4.6K 16:9 - 4.6K: 45 / 75 fps
  • ARRIRAW 4K 16:9 - 4K: 55 / 120 fps
  • ARRIRAW 4K 2:1 - 4K: 65 / 120 fps
  • ARRIRAW 3.8K 16:9 - UHD: 65 / 120 fps
  • ARRIRAW 3.3K 6:5 - 3.3K: 55 / 100 fps
  • ARRIRAW 3K 1:1 - 3K: 55 / 100 fps
  • Apple ProRes 4.6K 3:2 Open Gate: 60 / 60 fps
  • Apple ProRes 4.6K 16:9 - 4K: 75 / 75 fps
  • Apple ProRes 4K 16:9 - 4K: 100 / 100 fps
  • Apple ProRes 4K 16:9 - UHD: 120 / 120 fps
  • Apple ProRes 4K 16:9 - 2K: 120 / 120 fps
  • Apple ProRes 4K 16:9 - HD: 120 / 120 fps
  • Apple ProRes 4K 2:1 - 4K: 120 / 120 fps
  • Apple ProRes 3.3K 6:5 - 3.3K: 75 / 75 fps
  • Apple ProRes 3.3K 6:5 - 4K 2.39:1 Ana. 2x: 90 / 90 fps
  • Apple ProRes 3K 1:1 - 3K: 90 / 90 fps
  • Apple ProRes 3K 1:1 - 3.8K 2:1 Ana. 2x: 100 / 100 fps
  • Apple ProRes 2.7K 8:9 - UHD 16:9 Ana. 2x: 100 / 100fps
  • Apple ProRes 2K 16:9 S16 - 2K: 120 / 120 fps
  • (Compact Drive 1TB / 2TB)

Recording Modes:

  • Standard real-time recording
  • Pre-recording

Color Output:

  • Rec 709
  • Rec 2020
  • Rec 2100 PQ
  • Rec 2100 HLG
  • LogC4
  • Custom Look (ARRI Look File ALF-4)

Look Control:

  • Import of custom 3D LUT
  • ASC CDL parameters (slope, offset, power, saturation)
  • ARRI Look Library
  • ARRI Textures

Filters:

  • Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8
  • Fixed optical low pass, UV, IR filter

Lens Squeeze Factors: 1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00

Lens Mounts:

  • ARRI LPL Mount (LBUS)
  • ARRI PL-to-LPL Adapter
  • ARRI PL Mount (LBUS)
  • ARRI PL Mount (Hirose)
  • ARRI EF Mount (LBUS)
  • Leitz M Mount for ARRI

Flange Focal Depth:

  • LPL mount: 44 mm
  • PL mount: 52 mm

Power Consumption: ~ 90 W (Camera body and MVF-2)

Measurements (HxWxL): 147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0" (camera body with LPL lens mount)

Operating Temperature:

  • -20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics, IP 51

Storage Temperature:

  • -30° C to +70° C / -22° F to +158° F

Weight: 

  • ∼2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS))